///deek_media
about
deek media is an mp3blog whose top agenda is to spread good underground music to the masses. clicking on the album title will let you download it. keep in mind though, any links you find here should be taken as a promotional sample. we do not host infringing content on wordpress servers, and you are to take responsibility for any content you visit outside this site. if you find something here you enjoy, you are required by karma to go out and buy the album. or better yet, go to shows and/or get bands booked in your area. we respect artists and will honour requests to remove links.
if you would like to contribute, please shoot me an email. if you have a wordpress account, please provide the email address associated with your user name so that the invite goes to the right place.
contact:
deekmedia [at] gmail . com
if you would like to contribute, please shoot me an email. if you have a wordpress account, please provide the email address associated with your user name so that the invite goes to the right place.
contact:
deekmedia [at] gmail . com
Features
what other cool mp3blogs are posting
- Milo - demo (1993)
- Scream Silence – Scream Silence (2012)
- Sent By Ravens – Mean What You Say (2012)
- Converge-Discography (1995-2011)
- Hawkwind - 1972 - Doremi Fasol Latido
- Davidian – Our Fear Is Their Force (2012)
- BLM – Rendez-Vous (2012)
- Hawkwind - 1971 - In Search of Space
- Hawkwind - 1970 - Hawkwind
- Lyriel – Leverage (2012)
- Black Messiah – The Final Journey (2012)
- Olafur Arnalds – Living Room Songs (2011)
- We Shot the Moon - We Are All Odd - 2012 (Normal rip)
- Merlin "Merlin"(German sympho, 1984 )
- Terrorizer – Hordes of Zombies (2012)
- Rage – 21 (2012)
- I’ll Stay In Memphis – Faultline [EP](2012)
- WZRD - WZRD - 2012 (Normal rip)
- STACCATO DU MAL Sin Destino
- We Have Band - Ternion - 2012 (Normal rip)
on July 11, 2009 on 2:04 pm
“Big and moody, Staring at the Sea compiles some hits and near misses of these excavators of the dark soul. Beginning with their earliest hits–the sparse “Killing an Arab,” the aptly tedious “10:15 Saturday Night,” and the charming “Boys Don’t Cry”–this collection stops before the comparative giddiness of Kiss Me, Kiss Me, Kiss Me.
Musicians first, brooding art types second, The Cure’s unique instrumentation doesn’t get the credit it rightfully deserves. The thrashy, trash-can break in “Jumping Someone Else’s Train,” the sprightly synthesized recorder of “Close to Me,” and the techno-pop disco lines in “Let’s Go to Bed” and “The Walk” are downright brilliant in their effectiveness and simplicity. A string of money shots if ever there was one.”
- amazon.com review